It’s been a whirlwind last 60 hours.
I left New York City on a 6:30p flight Monday night and landed at Charles de Gaulle shortly before 8a local time on Tuesday. I got my credential validated at the airport, made a pitstop at the studio of a world-renowned photographer (more on that later), and headed to the Main Press Centre where there are work areas, help desks, and gear checkout desks for Canon, Nikon, and Sony.1 I picked up my photo vest, asked a bunch of questions, foisted my terrible French upon too many poor volunteers, and familiarized myself with the facilities for future reference.
After that, I made my way to the Gare Saint-Lazare to catch the first leg of my train trip to Normandy to pay a visit to the USA Wrestling acclimation camp where all the coaches, the training staff, and the athletes are spending the time before their competition days, fine-tuning and relaxing before August 5-11 when they’ll all be competing. Here’s a fantastic and fanciful schedule drawn up by Arizona State athletic trainer Jess Battilochi that lists everyone’s individual schedule (note all times are AZT):
Once I got to Houlgate, I hopped over to visit the beach down the street and then got some rest.
This morning, I walked up to the Centre Sportif de Normandie, an excellent campus, where the acclimation camp is being held. I spent all day photographing workouts, meals, and social activities.
Here are a bunch of those images.
The Vibe
The overwhelmingly prevailing energy was fun. Sarah Hildebrandt, the 50kg women’s freestyle Olympian, emphatically declared that she wanted this weight cut to be full of “whimsy.” She was lifting weights, listening to Taylor Swift, and making jokes with her brother, Drew, who is here as her training partner. That vibe is omnipresent amongst the entire contingent. Everyone is excited and ready to go.
The Campus
The Centre is a gorgeous, wooded campus with streams and bridges and a comfortable array of facilities. There are massive workout halls, weight rooms, saunas, recovery tubs, a cafeteria, and more. It’s very well-outfitted and very welcoming.
Focus
And of course, there was a lot of focus and getting down to the business at hand: making final preparations for the Olympic Games.
And then, even amid the focus, there are opportunities for fun and enjoyment.
One Final Note of Frivolity
Canadian photographer Bill Bain (BainPhotos.com) graciously lent me his 8-15mm lens, which is a fisheye, ultra-wide zoom that allows for some really mind-bending opportunities. For those of you who are fans of the “.5” iPhone photos2 - this is a .5 amped up to like a .1. It’s cartoonish. So I played around with it and found some fun ways to use it.
Fin
And that’s all for this first installment of reporting from the Paris Olympic. I will be sharing more as the Games progress. Thanks for reading!
There’s an extremely valuable system where you can borrow gear to cover the Olympics. They have all the latest and greatest cameras and lenses and they loan them out to help us cover the Games to the best of our abilities. I even got to play around with Canon’s newest-announced-but-not-yet-released camera bodies, the R1 and the R5 Mark II. I was told not to publish photos of them, they’re so new and guarded. And when I asked what my chances were of getting one on loan, the desk agent laughed: “None.” (Here’s an article with photos of the gear that’s available. It’s ridiculous.)
Here’s an explanation. I learned about them from Columbia University women’s wrestling club member Sarine Mardirosian, who is the foremost expert I know on all things Gen Z.
I love the inside look. And the facility is beautiful. Great pics. Beautiful setting beautiful people. Thank you.